Free Essay: Steve Reich - Electric Counterpoint GCSE Music.

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New York Counterpoint, mvt. II-Groove 1 (tracks 7-10) is a pulse chord. Groove 3 (tracks 1-6) is the six-part counterpoint constructed with the 2 initial motifs (M2a and M2b).

Electric Counterpoint 3rd Movement by Steve Reich Analysis.

New York Counterpoint was commissioned by The Fromm Music Foundation for clarinettist Richard Stolzman.It was composed during the summer of 1985. The duration is about 11 minutes. The piece is a continuation of the ideas found in Vermont Counterpoint (1982), where as soloist plays against a pre-recorded tape of him or her self.In New York Counterpoint the soloist pre-records ten clarinet and.Electronic Counterpoint Key Features Here are the main points from Steve Reich’s 3rd movement: The key is in E but the piece keeps the listener guessing right up until the bass guitar confirms by playing the note E at the end of it’s two bar ostinato.Out of the series, New York Counterpoint is considered the most rhythmically intricate and one of Reich's most well known works. The second movement of the piece was featured as a set work for Edexcel music A level between 2005 and 2016 (2).


New York Counterpoint (1985) marks the second installment of Reich's counterpoint series, which began in 1982 with Vermont Counterpoint for the multiple flutes of Ransom Wilson, and ended in 1987 with Electric Counterpoint for electric guitarist Pat Metheny.Section A (build up in texture), Section B (3 elements- constant canonic texture of 6 clarinets, live clarinet plays resultant melodies, and pulsing chords which fade in and out) and Coda (6 pre-recorded clarinets fade out from their canonic texture.

Reich is well-known for pioneering process-based music, as established in his 1968 essay “Music as a Gradual Process.”. 4. Process-based music is characterized by its minimal amount of material, with development (a musical process) occurring through changes in the material over a period of time. 5.

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Comment on the Technology, Structure, Harmony, Texture and Melody of Steve Reich's Electric Counterpoint .Electric Counterpoint, by an American composer named Steve Reich, is a Minimalist piece which was written in the 1980s. It is the last in a series of three compositions for soloists playing along with pre-recorded multi-track tape loops.

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Electric Counterpoint 3rd movement By Steve Reich Instruments Music Technology 7 electric guitars 2 bass guitars Panning (used to separate out the guitar parts to left and Solo guitar part (who plays along with a multi-track recording of the other parts) omposed for Pat Metheny, a well known jazz guitarist.

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Information on S. Reich's 3rd Movement (Fast) from Electric Counterpoint. Electric Counterpoint - Information study guide by lilyshep includes 9 questions covering vocabulary, terms and more. Quizlet flashcards, activities and games help you improve your grades.

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Electric counterpoint is a minimalism piece composed in 1987 by American composer Steve Reich for jazz guitarist Pat Metheny. It is the third of three movements in Reich’s counterpoint series. As with the other two movements, it is played as one live instrument with a pre-recorded multi track, in the case of this piece, it is one live electric guitar, 7 pre-recorded electric guitars and 2.

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Start studying Steve Reich: 3rd Movement (Fast) from Electric Counterpoint. Learn vocabulary, terms, and more with flashcards, games, and other study tools.

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Steve Reich, Electric Counterpoint. Key — In minimalism this is the only part of the story — the texture is equally as important as the key in defining the structure of a piece. However, as Live Guitar, Guitar 2, 3, 4 and all the other parts begin to be added and strumming begins, the piece is uplifted and feels very full.

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Vermont Counterpoint belongs to a family of Reich pieces that call for a single performer to record multiple tracks of himself or herself, and then to perform live to the accompaniment of those tracks. The first piece of this kind Reich wrote was Violin Phase (1967), which transferred to instrumental music the techniques Reich had previously explored with tape loops of human speech, set to.

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In analyzing Reich’s music, these scholars did not have access to the wealth of sketch materials now housed at the Paul Sacher Stiftung (PSS) Basel. In the first case study, John Roeder’s account, published in 2003, of the first movement of Reich’s popular New York Counterpoint (1985) is read against the authors’ own research of the composer’s extant sketches held at PSS.

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Electric Counterpoint Iii guitar tab by Steve Reich with free online tab player. One accurate version. Recommended by The Wall Street Journal.

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